23,620 Royalty-Free Audio Tracks for "Audio Files Of 20th Century Period Classical Music"

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

Aria from Aida sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Unrestored version. Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. ([http://victor.library.ucsb.edu/matrixDetail.php?id=200014967 full details).

Sonata in B-flat major, Deutsch catalogue 960 - iii. scherzo (allegro vivace con delicatezza).

Schubert's Sonata in B Flat, D. 960 - III. Scherzo (Allegro vivace con delicatezza) by David H. Porter

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

ATTENTION !!! file INCOMPLETE, file complete you could find here File:Clementi_Sonata_in_G_Minor_No_3,_Op_50,_Didone_Abbandonata_-_I_Introduzione.ogg Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Nederlands: Midifile van het rondo in Es-dur, H.288, van C.P.E. Bach. MIDI version of Rondo in E-flat major, H.288, by C.P.E. Bach. MIDI Aufnahme, Rondo in Es-dur, H.288, von C.P.E. Bach.

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Traditional music from Algeria sung by Mahieddine Bachtarzi.

Traditional music from Algeria sung by Mahieddine Bachtarzi. Istikhbar Djarka – tradycyjna algierska pieśń w wykonaniu Mahieddine’a Bachtarziego z 1929 roku. Македонски: Истикбар џарка — алжирска народна песна снимена во 1929 г. од Махиедин Биштарзи, наречен „Пустинскиот Карузо“.

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

Sonatina No. 1 in C Major - II. Andante by Aaron Dunn

The Anthem of Europe, based on the final movement ("Ode to Joy") of Beethoven's 9th Symphony composed in 1823. Performed by the United States Navy Band. This is the short version without introduction.

Português: A Sertaneja (1869), de autoria de Brasílio Itiberê (1846-1912).The Rhapsody A Sertaneja (1869) by the Brazilian composer Brasílio Itiberê (1846-1912).

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Enrico Caruso singing "La donna è mobile", from Giuseppe Verdi's opera Rigoletto.

Grand March from w:Aida, recorded for the Marine Band album, Retrospective, June 3-7, 2002, Center for the Arts, w:George Mason University, Fairfax, Virginia

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Beethoven - Piano Sonata no. 15 in D major op.28 "Pastoral" - III. Scherzo. Allegro Vivace

Romance You have broken a flower ("Ты сорвала цветок"), sung by Andrey LabinskyТы сорвала цветок. Романс. Исполнитель-А.М. Лабинский

Der Tod und das Mädchen (La jeune fille et la mort), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861–1936) en 1919

Sonatina No. 2 in G Major - III. Allegro by Aaron Dunn

Sonatina No. 1 in C Major - I. Allegro by Aaron Dunn

日本語: ビゼー作曲「カルメン」第2幕の「カンツォネッタ」の一部 Part of Georges Bizet's Carmen

Jephte - Plorate filii Israel

Maurice Ravel: Gaspard de la Nuit - Scarbo

Alborada del Gracioso, Ravel Piano Selections.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Yeonju Sarah Kim an der Evangelienorgel im Dom zu Salzburg

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

Piotr Ilyich Tchaikovsky's Overture Solennelle, “1812,” Opus 49 performed by "The President's Own" United States Marine Band on May 26, 2019, at the Wolf Trap National Park for the Performing Arts in Vienna, Va. This concert was part of Wolf Trap's "Summer Blast-Off!" Col. Jason K. Fettig conducting.

Piano sonata #32. Main theme (beginning) perfomed by Daniel Veesey croped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Головна партія (початок) Виконує Daniel Veesey

Le ballet de la reine (or "La peregrina") from Giuseppe Verdi's 1867 opera Don Carlos on the Grand Scenes (2000), recorded June 5–9, 2000 at Center for the Arts, George Mason University, Fairfax, Virginia.

Richard Wagner: Parsifal Act 2 Flower Maiden scene. conductor: Karl Muck, Bayreuth Festival Orchestra

Richard Wagner: Parsifal - Prelude Act 1. conductor Karl Muck, Bayreuth Festival Orchestra.

Se m'ami ancor; Ai nostri monti, duo de l'opera Il trovatore, composé par Giuseppe Verdi, interprété par Enrico Caruso (1873–1921) et Ernestine Schumann-Heink (1861–1936) en 1913

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1

Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola, and Léon Rothier perform "È scherzo od è follia" from Giuseppe Verdi's Un ballo in maschera (1859), in this 1915 Victor Recording. This is Matrix C-14660, recorded 3 April 1914 in New York City, and released under a variety of labels. (full details).

The intermezzo from Enrique Granados's Goyescas, played in an transcription by the U.S. Marine Band for the album Director's Choice.